Answer Print Pictures · Glasgow & Lisbon · Est. 2019

In production

Films that stay in the room

An independent production company making features, shorts and documentaries with small crews, long preparation and natural light. Seven films so far. Two shooting now.

REC · 00:01:24:07

R1 · The Long Exposure (2025) · Dir. Inês Amaral

  • Official selection

    Berlinale Forum 2025

  • Official selection

    CPH:DOX 2024

  • Official selection

    Locarno · Pardi di domani 2023

  • Official selection

    DOK Leipzig 2024

  • Official selection

    Göteborg 2025

  • Official selection

    Sheffield DocFest 2024

  • Official selection

    Clermont-Ferrand 2024

  • Official selection

    Sevilla · Best Cinematography 2025

R2 — How we work

We make few films, and we make them slowly,

with people we would cross a country for.

Shot where they happen, lit by what is already there,

cut until they follow you home.

Inês Amaral & Tomás Brandt, founders

R3 — How an Answer Print film gets made

Page to screen

Scroll through one scene of Lengths, our film shooting now in Lisbon, from the page it was written on to the night it premieres.

01

Script

6–18 months

02

Shoot

4–6 weeks

03

Cut

3–5 months

04

Premiere

one night

Reel 03 · Lengths

Stage 1/4 · Script

00:00:00:00

43. EXT. MUNICIPAL POOL — DAWN

Steam lifts off the water. MARTA (58) lowers herself in without testing the cold. The lifeguard’s chair is empty.

MARTA

One more length. Then I’ll tell her.

Page 43. One line we rewrote eleven times.

Every Answer Print film starts as a short document a financier can read in ten minutes. The script comes after the yes.

R3 — How an Answer Print film gets made

Page to screen

Reel 03 · Lengths

Stage 1/4 · Script

00:00:00:00

43. EXT. MUNICIPAL POOL — DAWN

Steam lifts off the water. MARTA (58) lowers herself in without testing the cold. The lifeguard’s chair is empty.

MARTA

One more length. Then I’ll tell her.

Page 43. One line we rewrote eleven times.

Every Answer Print film starts as a short document a financier can read in ten minutes. The script comes after the yes.

Reel 03 · Lengths

Stage 2/4 · Shoot

00:42:17:09

REC · Scene 43 · Take 6

Day 18 of 31. Take six is the one.

Thirty-one days in Lisbon with a crew of nineteen. We shoot in the order of the story wherever we can, so the actors carry it with them.

Reel 03 · Lengths

Stage 3/4 · Cut

01:12:48:20

Fourteen weeks in a dark room in Govan.

Mirela cuts the first assembly while we are still shooting. The film gets shorter and the silences get longer.

Reel 03 · Lengths

Stage 4/4 · Premiere

01:34:02:00

World premiere

LENGTHS

Official selection · Forum · 2027

Lights down. 400 strangers.

We take every film to festivals first, then to sales and broadcasters. The house lights going down is the whole point.

Call sheet · Lengths

In production

Day 18 of 31

Call 06:30 · Piscina Municipal do Areeiro, Lisbon · Sunrise 07:41 · Scenes 41–44

R4 — Now shooting

The production diary

Day 03 · 21 Oct

The water is 19 degrees.

Our lead swims 4 km before call time. The crew does not. We bought a second wetsuit for the focus puller.

Day 07 · 25 Oct

Rain stops play.

We rewrote scene 12 to happen inside the changing rooms. It is better now, which is annoying.

Day 12 · 30 Oct

The lifeguard is real.

Rui has worked this pool for 31 years. He is in the film now, and he is very good.

Day 18 · 5 Nov

Take six.

Scene 43, page 43. The line we rewrote eleven times works on the sixth take. Nobody speaks for a while.

Since 2019, by the numbers

14

films made

features, shorts, a series

41

festival selections

on four continents

9

countries filmed in

from Shetland to Faro

19

people, average crew

small by choice

2

2019

1

2020

4

2021

5

2022

7

2023

10

2024

12

2025

R7 — What they wrote

Reviews, briefly

  • “A film that trusts silence more than most films trust dialogue.”

    The Northern Screen

    The Long Exposure

  • “Salt Road is the best road movie with no road left in it.”

    Docs Weekly

    Salt Road

  • “Eighteen minutes that feel like a whole life told over breakfast.”

    Reel Quarterly

    Morning, Kitchen

  • “Lit almost entirely by a lighthouse, and somehow never dark.”

    Frame & Field

    The Long Exposure

  • “A company worth following, film by film.”

    Cinema Ledger

    On Answer Print Pictures

R9 — Questions

For festivals, financiers and crew

Anything else goes to hello@answerprint.film. A person answers, usually within two working days.

Can I request a screener?

Yes. Festivals, sales agents, broadcasters and press can request a private link from the press page. We reply with a watermarked screener within two working days.

Do you take unsolicited scripts?

Do you co-produce?

How do I get on an Answer Print crew list?

Where are you based?

The house lights are down

Send us the film you can’t stop thinking about

A logline, a page and a link. We read everything that comes in, and we answer.

End credits

Stay for the credits.

One letter a season: what we are shooting, where the films are screening, and the jobs we are crewing up for.

Offices

Glasgow · Govan Graving Docks

Lisbon · Rua do Poço dos Negros

+44 141 555 0141

ANSWER PRINT

© 2026 Answer Print Pictures Ltd. · Glasgow & Lisbon

00:00:00:00 — roll again

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